Saturday, 5 January 2019

DEVIL SOLD HIS SOUL

Band: DEVIL SOLD HIS SOUL
Genres: Punk / Post-Rock / Post-Hardcore / Post-Metal / Emo / Screamo / Skramz / Black Metal / Alternative / Ambient / Experimental
Related artists: Mahumodo, Carnist, Hope & State, March Of The Raptors, Morrow, Symmetry, Viatrophy, *Shels, The Arusha Accord, Tortuga and Rinoa.
Country: London U.K.
Years Active: 2004-present
Song: "Crusader"
Album: "Empire of Light"
Year: 2012
For fans of: Moving Mountains, Mahumodo, Rinoa, Hopesfall, Deftones, Young Mountain, Glassjaw, Incubus, Nic (aka ██████), Endor, New Ruins, Inkling, Codeseven, In Reverent Fear, Saosin, Thrice, Protest The Hero, Linkin' Park, We Never Learned To Live, Beloved and Deafheaven.
Label(s): Self Released / Visible Noise / Eyesofsound / Black Willow / Holy Roar Records / Century Media / Small Town Records / Basick Records
This post's artist is from the December 2018 Mix. This is track #11.
You can download: the December 2018 Mix#12 right here or get the new January 2019 Mix#12 here.

Do you like cheese? I can handle cheese, but not too much cheese. My dad likes blue cheese. That's too much fucking cheese, man. DEVIL SOLD HIS SOUL is kinda like extra extra old white cheddar cheese, and it's starting to smell but it still tastes fucking awesome. But I gotta say, not a fan of the band name.

I first found out about the band through Mahumodo and Rinoa, both bands that members spent time in previously. They play an epic style of metalcore, black metal and post-hardcore/post-rock. Sometimes they devastate the listener and sometimes they lull them to sleep, often in the same track. They also have a designated member doing synths/keyboards that does an excellent job of weaving their sounds into the music, instead of going off on random and ill-advised tangents.

Their first release came as 'A Darkness Prevails', and it is without a doubt the heaviest, most black metal stuff the band ever produced. "Darkness Prevails" is the logical extension of Mahumodo and includes the monotonous crooning during the two choruses, with both being book-ended on both sides by dark, sinister and venomous black metal complete with breakdowns. Speaking of breakdowns, the pummeling one at 1:30 and again at 5:10 in "Some Friend" is unreal, although the rest of the song will have you singing along to those sweet, lullaby vocals. "Clouds" is very post-hardcore, ethereal, yet without any clean vocals while closer "Like It's Your Last" is the epic finale movement.

In 2007 DEVIL SOLD HIS SOUL released their followup and first full length titled 'A Fragile Hope'. This is a much more concentrated effort that branches out in many different directions, sometimes ditching the black metal and screaming for long stretches at a time. The use of post-rock, post-hardcore and the increased distribution and efficiency of clean vocals make this a much more accessible album than it's older sibling, and is the first obvious step toward softer melodies and a more relaxed/comfortable approach to the songs in general. It begins with an ambient intro before devastating the listener with "As the Storm Unfolds", which is a heaving, turbulent, screamy concoction that will shed any silly criticism of "this band is too soft now". The screaming here is even more evil than the band's debut, extremely thick and high-pitched without being shrieky. By the next track it's apparent that longer songs are what they're going for, as both surpass the six-minute mark and are novels in metallic hardcore format. And then there's "At the End of the Tunnel" and holy shit, this is THE song. It's absolutely unrelenting in its delivery, and those ferocious vocals leading up the 59th second are shockingly good. Speaking of sick-ass tunes, "Coroner" is a nice mix of the heavy layered with both screaming and singing, while "Awaiting the Flood" is a scorching fireball that boasts the most badass and devilish section they ever recorded (starts at 2:45) and sounds almost nothing like their post-everything tunes - placing it more in line with my current musical tastes...although with later albums I start to question who the fuck I am, but we'll get to that. "Between Two Words" and "Dawn of the First Day" are drenched in post-rock/post-hardcore, creating a dreamy and lush extension of the Deftones sound and closer "Hope" ties everything up in a nice bow along similar lines.

The band's 2010 album was preceded by a split with Tortuga in 2008 but the same song ("Crane Lake", a decent track, too) appears on the 'Blessed & Cursed' LP so I'll leave it at that. Actually, speaking of leaving it at that, I should quickly say that "The Disappointment" is a banger that has strong ties to Thrice and their masterpiece "Paper Tigers". Otherwise, I don't really enjoy this record all that much. It's very post-everything but doesn't hold me the way the heavier early albums did nor with those ridiculous vocal hooks of the later material that we haven't gotten to yet. It's also rather long, with most of the songs being more than five minutes in length. It's not bad, I just like the albums before and after much more.

Hmmm, maybe let's just get there.

So here we are at 'Empire of Light', Dave's wheel of cheese. I'm quite surprised how much I like a few songs on this LP. It doesn't hold a candle to 'A Fragile Hope' as a complete piece of work, but the tracks that break through the monotony do so in an extremely effective manner. Take opener "No Remorse, No Regrets" for instance. It dives headfirst into that subterranean metallic hardcore/black metal sound that I'm always craving for when listening to DEVIL SOLD HIS SOUL, but then at 3:44 the vocals kick in and I'm back in uni listening to fucking Saosin with Anthony Green and I couldn't be happier. There's also "VIII", a very short 3:22 that jumps back and forth between screamy, driving, breakdown-laden metallic hardcore and sugary sweet scene/post-hardcore/pop-punk, again something I wouldn't expect to like but I fucking looooooove it. And then, holy shit, and then there's "Crusader" aka my costco-sized strawberry jam. I could sing along to this forever and be completely content, albeit slightly insane. It's a whopping 7:13, but it swims toward the shore in the dead of night in an eerie, unsettling and subtle silence until the 37-second mark when the monster first rears it's sinister head. The song rides this massive tidal wave of metalcore until 2:47 when it breaks and those angelic vocals wash over the listener, encasing me in a womb of euphoria. I think there are like 8 more songs but I think I'm done here.

The next year, the founding vocalist Ed left band, but returned in 2017 for a 10-year anniversary tour of 'A Fragile Hope' and seems to have rejoined indefinitely. Regardless, the band's next output was in 2014 with one of the vocalists of The Arusha Accord and still stands at the band's most recent release of new material. It's okay. I mean, it's got "Unveiled" which is the closest thing you're gonna get to the metalcore days, and it even injects a phenomenal vocal hook during the chorus of, "We'll be saving, we'll be saving ourselves. We'll be saving, we'll be saving our goddamn selves." Try listening to this and not sing along, hot damn. I'm not the biggest fan of the rest of the EP, but "Devastator" is a pretty sick track, save those corny Linkin' Park vocals at the end.

With the possibility of recording new songs with two vocalists, DEVIL SOLD HIS SOUL are working on new material which may or may not surface in 2019. I have no idea if I'll love it or meh it.

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DISCOGRAPHY

2004 - A Darkness Prevails cdEP

2007 - A Fragile Hope cd/12"LP

2008 - Tortuga split cdr/7"

2010 - Blessed & Cursed cdLP

2012 - Empire of Light cdLP

2014 - Belong ╪ Betray cd/12"EP

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(2004) DEVIL SOLD HIS SOUL - "Darkness Prevails" (from 'Darkness Prevails') official music video

(2004) DEVIL SOLD HIS SOUL - "Like It's Your Last" (from 'Darkness Prevails') official music video

(2007) DEVIL SOLD HIS SOUL - "Awaiting the Flood" (from 'A Fragile Hope')

(2007) DEVIL SOLD HIS SOUL - "At the End of the Tunnel" (from 'A Fragile Hope')

(2007) DEVIL SOLD HIS SOUL - 'A Fragile Hope' making of documentary

(2008) DEVIL SOLD HIS SOUL - "Crane Lake" (from 'Tortuga' split)

(2010) DEVIL SOLD HIS SOUL - "The Disappointment" (from 'Blessed & Cursed') official music video

(2010) DEVIL SOLD HIS SOUL - "Truth Has Come" (from 'Blessed & Cursed')

(2012) DEVIL SOLD HIS SOUL - "Crusader" (from 'Empire of Light')

(2012) DEVIL SOLD HIS SOUL - "VIII" (from 'Empire of Light') official music video

(2012) DEVIL SOLD HIS SOUL - "No Remorse, No Regrets" (from 'Empire of Light') official music video

(2014) DEVIL SOLD HIS SOUL - "Unveiled" (from 'Belong ╪ Betray') official music video

(2014) DEVIL SOLD HIS SOUL - "Devastator" (from 'Belong ╪ Betray') official music video

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DEVIL SOLD HIS SOUL additional links
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Thursday, 3 January 2019

NONE BUT AIR [AT THE VANISHING POINT]

Band: NONE BUT AIR [AT THE VANISHING POINT]
Genres: Punk / Post-Rock / Hardcore / Post-Hardcore / Screamo / Skramz
Related artists: Cofun.
Country: Kyoto JAPAN
Years Active: 2010-2015/present?
Song: "回想"
Album: "None But Air [At The Vanishing Point]"
Year: 2014
For fans of: Envy, Heaven In Her Arms, 49 Morphines, Vi Som Älskade Varandra Så Mycket, Killie, Hollow Jan, Respire, Godspeed, You! Black Emperor, Apollo 18 and Mono aka PROPER SCREAMO.
Label(s): Meatcube Label / Keep It Together Records / Further Platonix / Tokyo Jupiter Records
This post's artist is from the December 2018 Mix. This is track #4.
You can download: the December 2018 Mix#12 right here or get the new January 2019 Mix#12 here.

Review by: JESSE MOWERY

NONE BUT AIR [AT THE VANISHING POINT] are a self-described orchestral hardcore band from Kyoto, Japan. Their sound is both beautiful and chaotic, shifting from powerful riffs to sprawling post-rock at the drop of a hat. The band plays along to programmed strings and piano, but it never feels lifeless like some bands who play along to click tracks but instead adds a huge layer that makes it feel more cinematic.

In 2012 they put up a few demo tracks, but only one is still online, a demo version of "回想", which a shorter version than the one on the album, but it's one of their heavier songs for sure. It's not as developed sounding as the album version, as there are slightly different but more powerful guitars on the later one, but it's still a great introduction.

The same year they were on an amazing five-way split with Blue Friend, From Ten To Nine, Cofun, and kanataharuka on Meatcube Label and Keep It Together Records. This was how I discovered them and Cofun, who share a drummer with NONE BUT AIR [AT THE VANISHING POINT]. The first song "At The V.P. In Your 6-Color Dream" starts out with a beautiful guitar part, adding piano and ambiance before exploding into a mid tempo post-rock section with static noises, samples, and minimal vocals, then collapses for a minute before going into more sample driven moving post-rock. I make it sound boring, but it's beautiful. Their other song on the split "Heisa" is an earlier version of the fifth song on their full length, so I'll talk more about it in a second.

In 2014 they put out a self-titled album on Further Platonix Records, and this instantly became an album I listen to all the time. Opening song "終幕" is a pretty great representation of their sound as a whole. Weird ominous noise, stop-start riffs, piano, chaotic riffs, epic chord changes, delayed guitars, shrieking vocals, almost everything I could want in one song. You can really hear the Envy influence on this one. "憧憬i" is easily their heaviest song, filled with weird discordant off time riffs and breaking down into a dueling tremolo picked guitar part with synth behind it, creating a huge wall of beauty while the singer screams like they're in torment. The third song "回想" is the same as the one from the demo, except better quality and a whole extra section at the end that is absolutely gorgeous, building into a heavy 3/4 part with epic guitars. "憧憬ii" might be my favorite on the entire album, starting out with drum hits, strings, piano, and screams, the melodies build into a mid-tempo part, the bass being the only "conventional" instrument besides drums until 1:25 when the guitars come in with octaves and pull off noodles, building until it drops and ends with a nod to the intro. "閉鎖" (or "Heisa") starts out with rain sounds with a somber piano line, strings coming in with a countermelody before everything kicks in into a down tempo heavy but melodic section, piano clinking away while the vocalist rambles, building to on the melodies through the end. The last song "六月、雨と相反する" starts out with programmed synth strings before breaking into a part that reminds me of Heaven In Her Arms' more recent evil screamo sound, evolving into a buildup part before coming back around to the weird synth line but with Envy style chord changes beneath, changing it to a more thoughtful and depressing sound rather than metalish. It melts into a piano and synth section that becomes a Godspeed! You Black Emperor sounding part, ending on a beautiful note. If you like post-rock driven music with screaming vocals I cannot recommend this album enough, The material before it is great, but each song on this album can be enjoyed by itself or as a whole to an epic piece of music. Unfortunately, there's been no news of them since 2015, so who knows what's going on with them. I hope they're not done, because this is one of my favorite albums of the past 5 years, seriously go check them out.

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DISCOGRAPHY
Click )==>here<==( to download the band's complete discography in mp3 form.

2012 - 回想 demo digital single (stream here)
2012 - 5-Way split cassetteLP (stream here)

2014 - None But Air [At The Vanishing Point] cd/LP (stream/buy here)

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(2014) NONE BUT AIR [AT THE VANISHING POINT] - "回想" (from 'None But Air [At The Vanishing Point]')

(2014) NONE BUT AIR [AT THE VANISHING POINT] - "憧憬ii" (from 'None But Air [At The Vanishing Point]')

(2014) NONE BUT AIR [AT THE VANISHING POINT] - "憧憬i" (from 'None But Air [At The Vanishing Point]')

(2012) NONE BUT AIR [AT THE VANISHING POINT] - "Heisa" (from '5-Way' split)

(2012) NONE BUT AIR [AT THE VANISHING POINT] - "At The V.P. In Your 6-Color Dream" (from '5-Way' split) official music video

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NONE BUT AIR [AT THE VANISHING POINT] out of print mp3 discography download / additional links

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Wednesday, 2 January 2019

***KISS 2 exclusive premiere***

'I'm Not Jesus Christ, I've Come To Accept That Now'
exclusive album premiere
For fans of: SeeYouSpaceCowboy, Computer, Millions Of Spiders, Campaign Committee and Binary

Around a year ago I reviewed the KISS 2 demo and was, for lack of a better word, flabbergasted. Despite very raw and basic recordings I began salivating for the Wichita, Kansas' next release...and here we are. Some of the demo tracks show up with all the frills, but more than half of the six-song EP are new jams and they are excellent. KISS 2's 'I'm Not Jesus Christ, I've Come To Accept That Now' will be released on January 26th, 2019 on cassette by Not Swell Art Collective and on cd by This Ain't Heaven Recording Concern. The songs were recorded by Matthew Clagg at White Lodge and mastered by Luke Tweedy at Flat Black Studios.

The band is also going on tour from January 11th to 16th with another show on January 26th to commemorate their new release. Check out the dates and tour poster below the premiere.

(2019) 1 - KISS 2 "I'm Becca's Friend, Dude" (from 'I'm Not Jesus Christ, I've Come To Accept That Now')
The best thing about this band is still the vocals, good lord. Carson's sassy, drunken and extremely confident snarls are the apex of the sound, driving the slow parts to their subsequent chaotic, screaming freak-outs. The sludgy, breakdowns are still there and with a good recording everything takes equal weight during the songs, making for a very rewarding listen and accurate representation of the band's sound.

(2019) 2 - KISS 2 "Columbine Kids" (from 'I'm Not Jesus Christ, I've Come To Accept That Now')
This track is almost a complete mess but I mean that in a good way. I love the full-on, lengthy stop at 20 seconds. The alternating hits at 30 seconds rule. The frantic screams at 55 seconds are ravenous. The guitars are 1:10 are ridiculous. And the song's final climax and just chaos.

(2019) 3 - KISS 2 "#lust" (from 'I'm Not Jesus Christ, I've Come To Accept That Now')
"#lust" shows up again from the demo recordings but it is so much fuller, thicker and darker. The screaming post-20 seconds is venomous and mildly reminiscent of The Blood Brothers, as dual vocals are found throughout this 1:30 blaze of fire.

(2019) 4 - KISS 2 "Live.Laugh.Love.Die." (from 'I'm Not Jesus Christ, I've Come To Accept That Now')
Yet another new track, the first 10 seconds are some sweet, raw noodles that crash into everything directly afterwards, with perhaps the screamiest section on the entire EP. Seriously the first 30 seconds of this might be my favourite section on the release, but the tail-end has the band getting their freak on again.

(2019) 5 - KISS 2 "I'm A Loner Dottie, An Asshole" (from 'I'm Not Jesus Christ, I've Come To Accept That Now')
This is the only other rerecorded song and it stays true to the original, making the intro instrumental section even dreamier and the aftershock even more destructive. That being said, my qualm with this song still stands that I wish it erupted with the hella-heavy by the end, but they restrain themselves somehow, goddammit 😉

(2019) 6 - KISS 2 "I'm Nice At Ping Pong" (from 'I'm Not Jesus Christ, I've Come To Accept That Now')
The closer is also the song with the best title, and "I'm Nice At Ping Pong" is the fucking shit, good lord. After an initial, sludgy, rabid intro the songs pops off numerous times post-53 seconds, swirling around with massive breakdowns that somehow double as sections you could dance to, albeit violently. There's also a cool, bendy, spacey transition at two minutes that leads the song to its close but does so in a uncomfortable, dark and seething way. Hot damn what a release!

ADDITIONAL LINKS & WHATNOT