Friday, 22 May 2026

*** ERETIA exclusive song premiere ***

ERETIA
"VIII"
exclusive song premiere
For fans of: Fall Of Efrara, LVTN, Kollapse and Isis

Bandcamp

album releases June 15th!!!

     Back in November of 2022 I premiered "II" by the Cantabrian band ERETIA (ex-OsoLuna and Tempano) and I dug it so much that I snagged a few copies for the ZBR distro. It was wicked, pulsing, jagged, heavy, and melodic simultaneously, reminding me sonically of Fall Of Efrafa, Cult Of Luna, Rosetta, R. Josef, etc. and their upcoming EP takes this formula and saturates the listener in even more pummeling, crushing riffage with wild, primal vocals.

     And that brings us to today, as I am premiering the first single from their upcoming one-sided 12" 'The Autumn of Civilization.'. It will feature four songs in 21 minutes, with the band returning to have "Papelillo" record at Cubil Studio. This project has also been enhanced by the participation of Scott Evans@gse on mixing and @matthewbarnhart on mastering, two people the band deeply admires for their careers and work with bands like Sumac, Neurosis, Pelican, La Dispute and Kowloon Walled City, among many others. The album artwork is by the incredibly talented @asatxasat. The album will be released on all formats.

*250 copies on Ultraclear transparent vinyl
*250 copies on Yellow transparent vinyl
via:
@engrecsguy (UK)
@dingleberry_records (GERMANY)
@nothingtoharvestrcrd (GREECE),
Araki Records (FRANCE)
@diy.kolo.records (POLAND)
@vinarecords (ITALY)
@exabrupto.records (MÉXICO)
@prejudice_me (UK)
5FeetUnder Records (NORWAY)
@pifiarecords (ASTURIAS/MANNHEIM)
@produccionestudancas (CANTABRIA)
@primitive_noise_producciones (CANTABRIA)
@autoestimadiy (CANTABRIA)

Tapes /49:
@threemoonsrecs (POLAND)

Digipak CDs /100:
@slow.down.records (NORWAY)

The band had the following to say regarding the concept of the album:

"We lived believing we could bend nature's cycles without consequences, climate-control winters, import summers, and call oil dependency progress. Climate crisis, energy shortages, food and material scarcity, broken supply chains, and rampant speculation. This isn't bad luck or a passing crisis; it's the result of a model that exhausted the Earth as if it were infinite. We were warned for decades, and we chose to look the other way. "The autumn of civilization" is a metaphor; it's time to slow down, take care of what's essential, relocate our lives, and decide whether we continue squeezing an exhausted planet or finally learn to live within its limits."


(2026) ERETIA "VIII" (from 'The Autumn of Civilization.')

     The song wastes no time moving into a massive section that Amia Venera Landscape would be proud of, as the combo attack of gorgeous riffing and shockwave chugs is mesmerizing. The song moves into a Maserati-esque midsection with a driving rhythm section amidst a flurry of guitar delay and echo. The band concludes with masterful and powerful palm mutes that absolutely crush the listener into submission. Fuck to the yes.

Friday, 8 May 2026

*** I.O. exclusive song premiere ***

I.O.
"these dreams are too big to hide and too doable not to do"
exclusive song premiere
For fans of: Hella, Pretend, Tera Melos, Storm and Stress, Mount Eerie’s wordier albums, Touche Amore, Postmodern Poetry, Cryptic Personal Substacks, and Walter Benjamin

cassette orders open May 15th, 2026

     I have a lot of luck. First, I was lucky enough to play with I.O. at the first Wollruss show a few years back and it was like a religious experience. After building up enough courage to ask Maxwell Patterson if he wanted to be in a band with me, I was lucky enough to have him say yes (we play in Wollruss together now). Fast-forward to a month ago and he lets me know he just finished his new album and asked if I wanted to help release it on cassette. Now I'm also doing a song premiere on my blog. I really do hope luck is the residue of design, cuz if so I'm doin' a helluva job lol

     On the cusp of I.O.'s new album 'The Beatniks Couldn’t Save The World', I'm proud as hell to give you the second of six songs titled "these dreams are too big to hide and too doable not to do". It's a jazzy drum rampage through a gorgeous and lush wordscape that brings to mind Hella, Tera Melos, La Dispute, and even Touche Amore. Here are a few notes:


'The Beatniks Couldn’t Save The World'
a screamo opera by i.o

it’s about the reformation and reclamation of memories transfigured into something supernatural

'The Beatniks Couldn’t Save The World' is the first vocal record by noise-rock drummer virtuoso I.O since 2023 and his first joined by long-time part-time live vocalist JP Meldrum.

'The Beatniks Couldn’t Save The World' is what Maxwell and JP call a “freemo” record - an obscure portmanteau of screamo and free improvisation overheard while on tour in Europe. That, or a "screamo opera". Max and JP connected nearly ten years ago as two of Victoria BC’s most idiosyncratic experimental musicians known for their proliferation, in adherence to genre, and seamless ability to improvise in a no-rehearsal noise-rock context. Yet, the riffs and lyrics on TBCSTW are carefully crafted, cryptic poems that harken to the beautiful post-rock/emo melodies of Pretend and the sardonic verses of Leonard Cohen by-way-of Circa Survive melodrama that find light inside the manic preacher delivery of JP and the iconic virtuoso chaos of Max’s drumming.

This is Maxwell Patterson’s 212th album and JP Meldrum’s 53rd. Between the two, they have collaborated with members of N3VEL, Loving, Hillsboro, Teen Suicide, Shake the Baby Til the Love Comes Out and solo acts like Colin Fischer and Dis Fig. They also play in the band Really Loud Free Jazz together.

'The Beatniks Couldn’t Save The World' was mixed, mastered, engineered and produced by Cody Baresich. The album art is by Robert Voyvodic.


(2026) I.O. "these dreams are too big to hide and too doable not to do" (from 'The Beatniks Couldn't Save The World')

ADDITIONAL LINKS & WHATNOT

Monday, 27 April 2026

*** PODCAST #196 Bobby Caruso (Caution Children, Gillian Carter) ***


    Bobby Caruso. The Ultimate Chiller. Bassist for The Caution Children and Gillian Carter. Wearer of Hats. Searcher of the Riff. One Wicked Human. Etc. A few things discussed: Hung, so much grunge, blazed in the church room, hella hat territory, practice pad bullshit, Primus and Danzig covers, learning how to scream in Cassettes On Fire, from "on-call" to "in the band", prime Boris, appropriate album art, upcoming Gillian Carter record, ZBR Fest 2026, etc. Bands played in this podcast: Caustic Wound, Clouds, Danzig, Mouthing, Pearl Jam, and Rickshaw Billie's Burger Patrol. Listen to podcast #196 which is available to stream and/or download for free via this link.


THE CAUTION CHILDREN

GILLIAN CARTER


1 Pre-Beard Bobby
DANZIG "Dirty Black Summer" (Bob)
PEARL JAM "Animal" (Dave)

2 Riffmasters
RICKSHAW BILLIE'S BURGER PATROL "Grave Digger" (Bob)
CLOUDS "Pressure" (Dave)

3 Appropriate Future
CAUSTIC WOUND "Blood Battery" (Bob)
MOUTHING "i would die for hours" (Dave)


~Dave

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