Saturday 19 October 2024

*** SMUSH + ALUMINUM + BILL CAN + BIG CITY live show review***

SMUSH / ALUMINUM

BILL CAN / BIG CITY


@Red Gate in Vancouver on July 19th, 2024

Live Show Review

     After learning that SMUSH was taking a break from live shows for at least the remainder of 2024 I ensured I booked a ferry and made the 3-hour trek to Vancouver so I could catch them one last time (at least for the foreseeable future). I got their early to distro and hung out with a bunch of local scene people and the bands...it was awesome. The real steal of the show was seeing ALUMINUM though, as I'd never heard of them and immediately bought all the digitals from bandcamp upon arriving home the next day.

     I'm also elated to let everyone know that the SMUSH 12"s for 'if you were here i'd be home now' finally came in so at this point all pre-orders have shipped. We sold over half of the pressing during the pre-order timeframe so if you like what you hear please pick up a copy (linked here, with cheaper ZBR store links at the bottom of the bandcamp page).




SMUSH
     As always, SMUSH freakin' rocked. Great atmosphere. Great instrumentals. Great vocals. Great people. Hell yeah. After seeing their release show, this five-song set left me aching for more but I'm glad I got a good fix of them with some of faves including "goodnight moon", "if we didn't cry", and "horse drawing". Reminder! 12"LPs are now in and shipping from Softseed Music!!!

(2024) SMUSH "new house" (live in Vancouver)
^\/`~~~~---------------00oOo00---------------~~~~'\/^


ALUMINUM
     "Hey Dave, please compare ALUMINUM to other bands."
     Hmmmm that feels kinda hard because their 80s rock + 90s alternative + shoegaze + indie rock melting pot is so damn original it'd be blasphemy to start saying "they sound like this band" or "they sound like that band". All I know is that it's both heavy and beautiful with two vocalists, making the juxtaposition of sounds that much more obvious. Definitely the highlight of the night for me, they were fucking awesome. I should also note that there were many more songs they played that I enjoyed more than the ones I took videos of, it was just luck of the draw.

(2024) ALUMINUM "Always Here, Never There" (live in Vancouver)
^\/`~~~~---------------00oOo00---------------~~~~'\/^


BILL CAN
     This Vancouver-based band is fun and quirky, bringing some pretty sweet licks and playful vocals. Kinda jazzy with elements of dancey and classic rock. Also their name is spelled wrong on the poster.

(2024) BILL CAN (live in Vancouver)
^\/`~~~~---------------00oOo00---------------~~~~'\/^


BIG CITY
     Closing the night was the third of four bands from Vancouver, as this two-piece took my brain to a new level. Genres be damned, this was equally jarring and mesmerizing.

(2024) BIG CITY (live in Vancouver)
^\/`~~~~---------------00oOo00---------------~~~~'\/^


~


next Dave show (aka I play in WOLLRUSS & this is our first show):


October 19th in Victoria

Wednesday 16 October 2024

*** PODCAST #163 AJ Currier (Colacon, Holly Caught A Contact High) ***

photo: Bret Backus


    In 2022 I met AJ Currier and his crew waiting outside of the ZBR Fest pre-show and we all hit it off instantly. The following year Tomb Tree helped release both COLACON and HOLLY CAUGHT A CONTACT HIGH on cassette. In 2024 COLACON played ZBR Fest and Tomb Tree released their debut album on 12". So obviously this podcast is a long time coming. Besides talking about those bands and being generally hilarious/informative, he also touched on: playing in Scarlet O'Hara/Madelyn Pryor/RaiseUp!/With Winter Upon Us/Kerberos, mispronouncing COLACON, screaming in cars, Psyopus melts the brain, working 94.5 hours in one week, COLACON's first show, ZBR Fest through the years, trusting strangers, defining "slam", the story of the vaulted Senza material and a new jam, accidentally anonymous, Sean Klotz the Hype Man, High Pitch Rich, upcoming Vamonos Tapes news, etc. Bands played in this podcast: Clot, Detach The Islands, Graf Orlock, Peeling Flesh, Rorcal, and Senza. Listen to podcast #163 which is available to stream and/or download for free via this link.

COLACON


HOLLY CAUGHT A CONTACT HIGH



1 Setting Things On Fire
RORCAL "Under the Nails" (AJ)
DETACH THE ISLANDS "A Highly Magnified History" (Dave)

2 Siphoning Off Math Grind
PEELING FLESH "Shoot 2 Kill" (AJ)
SENZA "Scrap the Waste" (Dave)

I've Watched Breaking Bad 22 Times
GRAF ORLOCK "Border Crossing" (Dave)
CLOT "Fucking Rot" (AJ)


~Dave

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COLACON "Gales of Contempt" music video


HOLLY CAUGHT A CONTACT HIGH "Hello Mr. Wolynetz" music video


Upcoming COLACON shows:



Saturday 12 October 2024

*** GXLLIUM! exclusive song premiere ***

"Axel Peart"
exclusive song premiere
For fans ofRex Kwon Do.gif from god and Me And Him Call It Us

orders open October 15th @9am PST for cassettes via ZBR

     Thank fucking lord the drummer shakeup didn't break this band up and now their back with a new six-song EP appropriately titled 'Breakup songs' minus two members plus one new one. There's tapes from ZBR going up on October 15th @9am PST but we only had time to pump out 35 before the release, so once those are gone we'll make another 100 easy. Seriously, you are not ready for this EP! The band gave some insight, read below:

"This is the last song we wrote with our last drummer before disbanding with him, a song we were really proud of, thinking it was gone forever! Till we fortunately invited our good friend Tanner to be the new drummer and finished the song with everyone collaborating on it. The song is named after Tanner's dog, Axel Peart. Trying to find a title when we finished mixing, we looked around Tanner's living room and decided that Axel was way too cool of a dog to not name it after him. This song goes out to Tanner for helping us keep this band alive <3"

(2024) GXLLIUM! "Axel Peart" (from 'Breakup songs')

     Right from the get-go GXLLIUM! goes immediately for the jugular with chaotic instrumentals that harness a lot of panic chords, blast beats, and wonky, almost Psyopus-esque guitar originality. After the initial minute of headfuckery, the song shifts into a lot slides and breakdowns before cutting out faraway, haunted screams and minimal instrumentals until 1:43 when the song combines the dreamy soft with the devastatingly heavy and it's fucking beautiful. The final minute is more epic in nature and focuses more on tying up the song instead of constant jaw-drops. Lyrics below!

you had me, you had me
You're left behind and you wonder why

Live
Laugh
As I live in your house
As we paint our picture
Death
Cry
As I live in my car
Outside of your house
A comically places static television
Alone
In the room I got for us
I hear your feet over thresholds
As you binge hotel rooms
Your moans ring like greeting cards in my ribcage
Your pictures are Christmas ornaments
Taken down on a February afternoon
Being so young love dies so soon
Blow up the sun like I’ve never fucking seen it before
Crash the car like I’ve never even loved you before
If god seen what you done he would take you out himself
If god loved me he would kill you at my fucking request



ADDITIONAL LINKS & WHATNOT