Sunday, 28 December 2025

*** SEAR exclusive music video premiere ***

SEAR
"Judy"
exclusive song/video premiere
For fans ofPortrayal Of GuiltCrossed and To Forget

album drops/orders open January 12th, 2026

     Nearly two years after the debut EP from South Carolina's SEAR comes their first full length on 12"LP courtesy of Tomb Tree. Today I'm stoked to premiere the brand new song "Judy" and it's music video made by John Renaldo. Here’s some thoughts on the single from Austin Parson (guitar/vox):

“My grandmother has been the only consistent family member in my life. She raised me as if I were her own without being asked. She has been sick for a long time now and the thought of being alive without her sounds miserable. It’s a love letter to her. I want her to be at peace without suffering.”


(2026) SEAR "Judy" (from 'O Merciful') [official music video]

     This is the first track from the eight-song 'O Merciful' and it gives you very much a brief snapshot what you'll experience throughout the rest of the album. There are the aggressive screamo/post-hardcore/black metal elements, a bit of washed-out shoegaze, and a generous heaping of dark,  atmospheric, doomy bits. The video is a constant collage of living room practices and what I assume are videos of Austin's grandmother.

Friday, 19 December 2025

*** PODCAST #191 Rosa Delgado (For Your Health, Clavel, etc.) ***


    It feels like I have been friends with Rosa for a very long time, which makes the lateness of this podcast downright shameful. We did Year In Review for 2020 (linked here) with Jesse Mowery, but I knew we needed a sit down with just us two to go over her musical journey. A few things we touched on: the Wax Vessel connection, sucking in general, baseball isn't a sport, learning from people all the time, Corehouse and the Emma Goldman connection, when Shin Guard ruled the world, deep in the mind palace, screamo in non-screamo places, the tour that never was, working with 3 Dot Recordings,  Heavy Heavy Low Low makes Dave nervous, etc. Bands played in this podcast: Circle Of Dead Children, Forth Wanderers, Hoari, Mieke, Namasenda, and Sorecausaqich. Listen to podcast #191 which is available to stream and/or download for free via this link.


FOR YOUR HEALTH

CLAVEL


1 From Blink 182 to Death Metal
NAMASENDA "Dare PM" (Rosa)
SORECAUSAQICH "MUZINEKI" (Dave)

2 Portland and ALL the Genres
FORTH WANDERERS "blondes have more fun" (Rosa)
MIEKE "intro: the garage splits in two" (Dave)

3 Joining For Your Health
CIRCLE OF DEAD CHILDREN "Oak and Iron" (Rosa)
HOARI "Обретение" (Dave)


~Dave

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Monday, 8 December 2025

AVERY FRIEDMAN

BandAVERY FRIEDMAN
For fans ofClairo, Frankie Cosmos, Squirrel Flower, Eera, Magana, Grouper, and Beabadoobee.
GenresRock / Indie / Singer Songwriter / Alternative / Folk
Related artists?.
CountryBrooklyn, New York U.S.A.
Years Active2024-present
Label(s): Softseed Music / Audio Antihero / Self Released

     As I was realizing where I wanted Softseed Music to go, stylistically speaking, it came of great consequence that I checked out an email from the always reliable Audio Antihero. They had recently got me hooked on Magana so after reading the description I delved into "Flowers Fell", picked up my jaw, then listened to the entire album, collected myself, and then hit up Avery with something close to "demanding" this release got vinyl treatment. And so we did. The album received glowing reviews and seemed very much like the beginning of what I wanted Softseed Music to be. So thank you, Avery.

     On her debut album 'New Thing' Brooklyn artist AVERY FRIEDMAN comes off sounding like a seasoned veteran. The album opens with a bit of a misdirection, as "Into" is a minute and fifty-three seconds of a lone guitar and spoken word that is our introduction, but I personally would have loved to see it as an interlude or closer as I feel the second/title track "New Thing" gets things going in the exact direction that 1) you'd expect because it it is more representative of the rest of the album and 2) it's a fantastic song. Written following a mugging in which she attempts to deal with life after such a violent intrusion of one's safety, trust, and mental well-being, Avery is able to transform the terrible and ugly into something both beautiful and catchy. The song begins with a commanding but gentle lead guitar that carries the song, with vocals kicking in alongside the other instruments after about 15 seconds of introduction. The subtle inflections in the vocal delivery is phenomenal, and considering this is her debut album, that's really saying something. By the time the chorus kicks in you'll be in full head-bob mode, as the vocals shift from a uniquely shattered cadence to a flowing, comforting, and warm embrace. Fuckin' stellar.

     Another absolute banger is "Flowers Fell" which was the song that I heard first so it's pretty important to me. Not only is it whimsical and empowering, but - again, the way Avery shifts her vocals around is fantastic. Case in point, during the primary line of, "The flowers fell off when I was asleep, but it's okay cuz now it's all green," she bounces back and forth with her delivery of "it's all green" where you gotta stay on your toes if trying to sing along, as sometimes she pauses and sometimes she lets the notes hang around. I love that kind of attention to detail. "Photo Booth" is next, bringing in a heavier, very bass-driven sound to the record. It borders on shoegaze and 80s goth rock but at the same time sounds like neither, which makes it a unique piece of this album.

     "Finger Painting" is my other fave jam, which weaves itself like an automatic loom. The build in this track is fantastic, as it begins with a stripped-down, subdued chorus that one might assume would be an opening verse, culminating in the fleshed-out and harder hitting second chorus almost two minutes in. The last minute of the track focuses on some wild guitar and echoed vocals from past before receding back into the shadows. "Somewhere To Go" is another great song, it's just a bit more minimal in its approach, as the bass drives this sucker along with additional help from whispery vocals that are obviously restraining immense power, giving their hushed delivery a very commanding presence. "Biking Standing" is a decent song with slight country vibes that doesn't hit as hard for me, as it seems sorta half-speed, and is therefore a great song to relax to. Closer "Nervous" was, I'm pretty sure, the catalyst for Avery embracing her own music, as she played it for friends around a campfire after being highly solitary beforehand. It's painfully honest and direct as it wraps all those feelings in a warm blanket, partially smothering their fire and easing the pain, all the whilst making them approachable and solvable.

     Goddamn I can't wait for more material. This stuff is so good and, for the last time, IT'S HER FIRST FREAKIN' RELEASE! Please check it out, grab and digitally from her and if you are so inclined please pick up the clear/blue record from her or the stupid fancy from Softseed Music! There's also a live studio video of "Finger Painting" embedded below as well as a podcast I did with her.




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DISCOGRAPHY

2025 - New Thing cassette/12"LP (stream/buy here)

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(2025) AVERY FRIEDMAN - "Flowers Fell" (from 'New Thing')

(2025) AVERY FRIEDMAN - "New Thing" (from 'New Thing')

(2025) AVERY FRIEDMAN - "Finger Painting" (from 'Live Studio Session')

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additional links


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