Friday, 6 December 2019

***PODCAST #37 + Cybergrind show review***

PODCAST #37 + Show Review
@The Avant-Garden on November 21st, 2019

My friend Henrietta invited me to a cybergrind show that they had set up through Kitty On Fire Records. I met a bunch of really awesome people and witnessed a style of show that I've never seen before...and it was also awesome. We collectively did a podcast before the show which was very fun and informative. Henrietta and Miggy also help run Emocat Records and play in opener Diva Plavalaguna. Robert (aka Decide Today) and Rebecca (aka Watabou) are currently on tour together, with Volly and Jamey (aka Vantana Row) making the trip up from California. Not present for the podcast was Hitori Tori, but I snagged a video, embedded below. I think it's worth noting that this show was sponsored by Sharetea BC who gave out tea to everyone in attendance. Below is the podcast playlist, separated into two parts at around 19 minutes apiece.

YATAGARASU - "Your Perspective (Arumana)" (Watabou)
EARTH CRISIS - "Wrath of Sanity" (Decide Today)
JOSIE AND THE PUSSYCATS - "Shapeshifter" (Vantana Row)

OVÄDER - "12:8" (Emocat Records)
WATABOU - "Wound Juice" (Kitty On Fire Records)
ANTARCTICA - "Lazerz 30 Airsoft 5" (Zegema Beach Records)



PODCAST #37 linked here

Henrietta keeps telling me that finding great cybergrind is not an easy task, so when I witnessed the solo artist known as WATABOU rip through 30 minutes of very intense, chaotic, melodic and dancey digital hardcore that left a big ole smile on my face. Rebecca, you are hella talented.
(2019) WATABOU "Wound Juice + Extroversion (new song)"
For fans of: cybergrind + digital hardcore

This two-piece were super chill and a joy to talk to. I love their aesthetic as well as the fact that they play "drive-by" shows, during which they pull up outside of a venue and play outside their van. That's fucking sick. Volly told me that they play cybergrind, but not in the traditional sense, as they use the bits of cyber and grind that most other bands leave behind when mashing the two together. Good set? Fuckin' right.
For fans of: cybercrust + Oväder

Is this is what taking acid is like?
For fans of: braindance + breakcore

This three-piece gets better and better every time I see them...wait that's normal isn't it? Regardless, this band is too much fun. A keytar and three vocalists? Fuuuuuuck yes. Sassy, synthy and shrieky, they've got your S' covered. They played at least one new song (captured) and that screechy feedback jam-fest that gets everyone moving. Mmmmm baby.
For fans ofAn Albatross + Snack Truck

I've never seen anything like this, as Robert from Cincinnati uses a bunch of different tapes with samples on them and then manipulates them as well as screams over them. It's very cool to see, and he's on tour now with Rebecca and Watabou so check that shit out. He's a very well-spoken and supportive person that also runs Realicide Records.
For fans of: anarcho + industrial



More live videos from the show:



DIVA PLAVALAGUNA - *new song* & *screechy feedback jam-fest*

Wednesday, 4 December 2019


GenresPunk / Hardcore / Mathcore / Screamo / Skramz / Emo-violence / Grindcore / Noise / Experimental
Related artists: Mongoloid, Negativehate, The Number Twelve Looks Like You, Horse The Band, Deflatio, Making April, Sex Positions, The Heatherton HeatwaveCloacal Kiss, Snake Baptist and Old Painless.
CountryMontrose, New York U.S.A.
Years Active1999-2004, 2009-2012
Song: "A 2 Minute Lecture On The Finer Points Of Instability"
Album: "Cuddlemonster"
Year: 2001
For fans ofOktober Skyline, The Great Redneck Hope, Machinist, Destroyer Destroyer, Owen Hart, The Dillinger Escape Plan, DevolaDiscordance Axis, (early) Daughters, The Locust, Enkephalin, Ed Gein, Letters In Binary, Hayworth, Tower Of Rome, Secondgradeknifefight and Robinson.
Label(s): Self Released / Dead By 1918 / Wax Vessel
This post's artist is from the October 2019 Mix. This is track #3.
You can download: the November 2019 Mix#11 right here or get the new December 2019 Mix#12 here

THE SAWTOOTH GRIN began back in 1999, with their first vinyl release seeing the light of day in 2019 (and selling out in less than an hour) thanks to the monumental label Wax Vessel. They featured members from a dizzying array of incredible bands including, but not limited to, The Number Twelve Looks Like You, Horse The Band and Snake Baptist, releasing just two cdEPs and some demos in their five year existence. Two quick things from ZBR and OMSB really quick in case you missed them:

In 2001 THE SAWTOOTH GRIN released their debut EP 'Cuddlemonster' on cd via Dead By 1918 which featured six tracks of sprawling, unhinged and wild jazzy mathcore with outrageous, larynx-death shrieks, as well as a truly catchy instrumental jam that is nearly the complete opposite of the preceding songs. My quintessential pick is track five's "Please Shit All Over Me, I Love It", clocking in at nearly five-minutes and jam-fucking packed full of parts to melt your brain. My personal favourites are:
- Dillinger Escape Plan-esque at around 35 seconds
- massive, multi-vocal breakdown after the minute mark
- swirling guitars at 1:45
- sassy-as-fuck spoken word at 3:20
Other notable slaps to face are "A 2 Minute Lecture On The Finer Points Of Instability" (with its uncanny ability to mix excessive speed with a sense of rhythm, remind me most of The Great Redneck Hope), "Sometimes She Tasted Like Burnt Plastic Smells" (true vocal destruction) and the aforementioned instrumental groove-a-thon "Good Touch Bad Touch 123" (recycling a clean, rock-driven riff that layers are slathered on top of, creating a beautiful and catchy closer).

2004 saw the EP release of 'Pervavor' as well as the band's first official breakup. This thing is ridiculous, extreme, caustic grindcore with an excellent balance of rhythm, catchiness and sheer chaos. The opening/title track "Pervavor" wastes no time in letting listeners know that with a new guitarist they were ready to kick it up a notch. The jazzy, semi-clean guitars are mostly ditched in favor of seething, discordant and downright aggressive metal/grind and I gotta say it really pays off. The vocals are also much darker and shriekier, bearing resemblance to Robinson, Oktober Skyline and Machinist. "Boxcutter Facelift" and "Rapekit Aficionado" are even heavier and bring in a bit of deathcore into the mix, giving me hella Owen Hart's 7" vibes.

In 2009 the band got back together with a few different members and recorded the 'Jabberwocky Demos' which were intended for an upcoming full length which was never recorded as THE SAWTOOTH GRIN disbanded again in 2012, destroying all hope of a finished recording. This is truly a bummer as these three songs (as well as "Untitled Demo 5" and a few other instrumental tunes from the same session) are arguably the band's strongest and most brain-shattering material. "Dead Ringers" toys with the listener before activating ludicrous speed after the 30-second mark, "The Jesus Hive" throws around some ballistic bass amidst the already swirling cacophony of noise and closer "Montrose Jackals" is perhaps the most extreme of any SAWTOOTH GRIN jam, igniting the speakers with a vast array of mathy arrangements with the most venomous, acidic and destroyed vocals I've ever had the pleasure of hearing.

A few months back my label Zegema Beach Records was contacted by Wax Vessel to help distribute their releases and our first mission together was the 'Cuddlemonster' 12"s, and boy-oh-boy I knew the band was popular but two of the three variants sold out in less than five minutes. The work by Wax Vessel to bring the EP to vinyl life was exceptional, as is the art done by Ben Hoagland. There are the three variants as well as six wax mage copies and five test presses. One of the five test presses was donated by Wax Vessel to Zegema Beach for a contest December 1st-24th, 2019. To win said test press, simply enter by buying anything from the ZBR U.S.A. store or the ZBR Canada/International store. Orders over $50 get three entries, and you can enter once in each store, thus making six entries possible. I will draw the winner on December 25th, 2019 and post it here as well as on the Zegema Beach Records facebook page. Someone is gonna very fucking happy.



2001 - Cuddlemonster cdEP (stream/buy here)

2004 - Pervavor cdEP (stream/buy here)

2009 - Jabberwocky Demos digitalEP

2011 - Untitled Demo 5 digital single (stream here)

2019 - Cuddlemonster 12"EP (stream/buy here)


(2001) THE SAWTOOTH GRIN - "Please Shit All Over Me, I Love It" (from 'Cuddlemonster')

(2001) THE SAWTOOTH GRIN - "Good Touch Bad Touch 123" (from 'Cuddlemonster')

(2001) THE SAWTOOTH GRIN - "A 2 Minute Lecture On The Finer Points Of Instability" (from 'Cuddlemonster')

(2004) THE SAWTOOTH GRIN - "Pervavor" (from 'Pervavor')

(2004) THE SAWTOOTH GRIN - "Rapekit Aficionado" (from 'Pervavor')

(2009) THE SAWTOOTH GRIN - "Montrose Jackals" (from 'Jabberwocky Demos')

(2009) THE SAWTOOTH GRIN - "The Jesus Hive" (from 'Jabberwocky Demos')

(2011) THE SAWTOOTH GRIN - "Untitled Demo 5" (from 'Jabberwocky Demos' session)


SAWTOOTH GRIN additional links


Monday, 2 December 2019


Genres: Mathcore / Chaotic Hardcore / Metallic Hardcore / Experimental / Hardcore / Metalcore / Deathcore
Related artistsToothless and USVSW.
Country: Wilkes Barre, Pennsylvania U.S.A.
Years Active2018-present
For fans ofThe Tony Danza Tapdance Extravaganza, Coarse, Ion Dissonance, Arsonists Get All The Girls, iwrestledabearonce, Barrier, Reflections, The Chariot, The Dillinger Escape Plan, The Number Twelve Looks Like You, War From A Harlots Mouth, Loathe, Code Orange, Emmure, Frontierer and Vein.
Label(s): Self Released / Pattern Recognition Records
You can download: the November 2019 Mix#11 right here or get the new December 2019 Mix#12 here


SLEEPSCULPTOR is a heavy-hitting metallic hardcore band from Wilkes Barre, Pennsylvania in the United States. Musically the band has a strong focus on experimental and progressive leanings. The band also infuses a healthy dose of calculated chaos into the mix. This helps to further diversify their overall sound and create an added jarring dynamic. The band draws from their collective roots and molds some of the traditional staples of the metalcore genre. This includes heavy down-tuned guitars, stabbing dissonant chords, pummeling breakdowns and hard-hitting blast beats. The band then offsets these elements further with the usage of sonic bursts of guitar tapping, sliding guitar scales and a savage dual vocal attack. This melting pot of influences and ideas makes for a highly refreshing and engaging listen.

The motivation for creating SLEEPSCULPTOR was initially conceived by vocalist Hunter Derr. Hunter by trade operates as a graphic designer under the name 'Ritual Season Media'. Hunter decided that he would like to integrate both his artistic and vocal talents within a new musical endeavor. The concept of this new band would be that the visual aesthetics surrounding the project would be just as important as it's musical offerings. This would then create a seamless partnership between these two elements and aid with translating the band's conceptual ideas further for the listener.

Hunter would eventually team up with his good friend Ben Pypiak and start to lay the groundwork for what was to come. Ben would serve as the band's second vocalist and compliment Hunter's vocals with more of an unhinged and volatile approach. Together they shared a mutual vision for this new project's overall outline and the creative direction it would implement moving forwards. Ben and Hunter also wanted to set their new band apart from their peers within the local scene. Instead of following the traditional or formulaic conventions used by most bands, they would create more of an immersive quality towards their craft. The members would have a direct and hands-on approach to the majority of facets regarding the band. This would give the members complete autonomy to see their vision for the band come to life and personalize any offering the band produced.
Ben and Hunter would actualize these ideas and form SLEEPSCULPTOR in April 2018. The band would implement a few fill-ins on bass and guitar, before securing a stable line up of four members. This line up would feature Hunter and Ben on vocals, Jake Moyer on guitar and James Slattery on drums.

After a few months of hard work and crafting material, the band emerged in July with a killer single and accompanying visualizer to help build some hype for the upcoming EP. This track is called "Failsafe" and featured Cody Canning of Depreciator on guest vocals. The visualizer was premiered via BeheadingTheTraitor on Youtube and garnered a lot of attention. Being a newcomer to the band at the time and after hearing this track, I was immediately sold on their music. "Failsafe" is an absolute belter and ticked all the boxes for my personal noise and metallic hardcore related tastes. The vocals in the track being a heavy standout for me. I couldn't wait to hear more from them.

On August 22nd the band premiered another track via BeheadingTheTraitor. This time it was a rad performance music video for the track "Ganoderma" and showcases the band's initial four-piece lineup. The video sees the band members jamming in an abandoned building with disrupting and dizzying visuals overlayed. This creates a jarring juxtaposition of performance intensity and media bombardment. It's almost like some kind of fever dream or psychotic hallucination. I remember being very impressed with a young band coming out the gates with such professionalism and a strong creative direction. The music video perfectly set the tone for what SLEEPSCULPTOR was about to deliver with the EP and highlighted the band's unique blend of vocals once more.

The band finally self-released their debut offering 'Untimening' on the 24th of August 2018. This release features 5 destructive slabs of no holds barred chaotic metalcore. The music was written by Hunter and Ben and was also co-written with the help of Logan Beaver. He would supply some further ideas for the band's material in the composition stages. Logan would also assist with the production, engineering and mixing and mastering of the EP. The vocals were tracked by Eric Chesek of Side B Studios. Overall the album's production sounds very tight for a band's debut offering. The guitars and bass are punchy, the drums have strong definition and the vocals are really pushed to the extremes by being placed front and center. The EP's bold, grungy and twisted artwork was supplied by Hunter through his design company. I think it truly captures the psychotic and manic essence of the music which follows.

In terms of the EP's material, all the tracks serve a purpose here and there is absolutely no filler material. As soon as the first track kicks off, it's just a violent ride with many twists and turns until the final track fades out. The band employs heavy chugging riffs throughout with stabbing bursts of chaos and pummeling breakdowns intermixed to mass effect. The drums are thunderous and kick the listener in the chest. The groove-laden moments are masterful and the technical elements truly highlight the band's knack for creating diverse song structures. One of the EP's main highlights is the vocal interplay between Hunter and Ben. It's an insane delivery that feels like a schizophrenic episode with voices running around in one's head. Hunter pummels the listener's brain with his devastating mids and brutally guttural lows. It sounds truly furious and reminds me of vocalists like Jake Wolf of Reflections, Kadeem France of Loathe and Jessie Freeland of The Tony Danza Extravaganza. Ben's vocal execution envokes a form of manic psychosis in my mind. His vocals are delivered in violent shrieks that pierce the listener's skull. I draw some slight comparisons to Harpoon Domino's vocals on 2 0' Clock Girlfriend's full-length album 'A Tale of Two Cities'. This constant back and forth of varied vocal exchanges are sure to make the listener's head explode. It's almost like a Dr. Jekyll and Mr. Hyde scenario. My personal standouts from the EP are the tracks "Subliminal Ritual" and "Failsafe". I feel both tracks showcase the strongest elements of SLEEPSCULPTOR's songwriting and vocal prowess and how the band can demonstrate the qualities of a psychotic breakdown in audio form. It truly gives you goosebumps. It's no wonder this release garnered the wide attention of local and international audiences.

In January 2019 Travis Antoniello joined the band on bass as a permanent member. This was then followed in March 2019 with Kuyler Massam welcomed to the fold as the band's second guitarist. This would solidify their current line up as a six-piece outfit and add a further dynamic to the band's songwriting capabilities. SLEEPSCULPTOR entered Novro Studios once more in April 2019 and captured a live session video of the band performing the 'Untimening' release in its entirety. This aimed to close the final chapter on the EP and showcase the band's new line up and the band's plans moving forward.

With the band now being fully revitalized, they hunkered down and began work on writing new material. They would enter Novro Studios in May and begin outlining the songs and tracking instruments for a new release.
Logan Beaver would again assist with some co-wiring duties and Eric Novroski tackled the engineering, mixing and mastering. The result of this recording process is the band's most cohesive and highly polished material to date. This is also the band's debut full-length release and is entitled 'Entry: Dispersal'. Every avenue of this twenty-minute chaotic animal feels fully actualized. It also sees the band encompassing all of their influences shown on the EP and cranking the dial up to 11. The overall album production is great as well. It's very slick and polished, with all of the instruments being clearly defined and again the vocals are showcased to max effect.

In terms of the album's lyric subject matter, it features a conceptual narrative with the main theme being about 'cycles'. Each song is in a specific order and it places the listener in the 'protagonist' position. This unnamed person is essentially watching themselves through swapping points of view. This person is feeling hopeless and lost and can't seem to find their sense of purpose. They join a self-help group, hopefully looking for the answers to all of their questions. Ultimately this group actually ends up being a cult who is trying to 'ascend' beyond this world. Although this concept may appear to be quite convoluted, the band opts for a concise and comprehensible approach to all of the lyrical subject matter which appears on the album. Thus the listener is able to follow along easily to the lyrics as they paint a vivid picture of the band's creative storytelling.

The album also contains bold and striking artwork produced by Hunter. Everything is highly considered from the layout of the artworks all the way to the overall colour palette used. Each track is also given its own accompanying visual. This further embellishes on the lyrical themes of the album and unifies the overall world that SLEEPSCULPTOR has tastefully created.

Focussing on the musical aspects, the album kicks off with a bang and seldom relents. It's a ferocious animal that demands the listener's full engagement from start to finish. It's visceral, manic and at times quite emotionally charged. This creates a torrent of moods as the listener is immersed within the band's monstrous soundscapes. The guitars weave seamlessly between mind-bending fretwork savagery and locked down chugging riffs. The bass is thick and beefy. It carries and punctuates the band's low end masterfully. The drum work on the album is skillfully executed and hard-hitting. The band has definitely honed their sound and developed the ability to craft song structures that transition with seamless fluidity. It makes for an easily digestible listen.

'Entry: Dispersal' also features two killer guest spots, both of which are personal standouts for me. "Relinquished" features Carson Pace of The Callous Daoboys and Liber Null features Sean Richmond of Arsonists Get All The Girls. Both artists feel like the perfect additions to the album and they bring their own trademark flair to their respective tracks. It's really great seeing SLEEPSCULPTOR utilise a fellow up and comer on the album, as well as being able to garner a more established artist as well. Hopefully, this will mean we'll see some more collaborations from both in the near future.

SLEEPSCULPTOR has crafted an album here that is sure to appeal to an array of music enthusiasts. The combination of the metallic ferocity, the emotional angst present within the vocals and the spastic walls of chaos are sure to appeal to those new to heavier music and those familiar to these various niched genre styles.

SLEEPSCULPTOR is definitely a band on an upward trajectory and showing great promise for the future. As a young band, they are also setting an example of how to promote a band, create new merchandise designs and establish wider audiences in this modern 'social media platform' led era. This hardworking ethic is definitely showing it's worth with the band landing larger shows and creating quite a buzz in the underground music community.

To cap things off, Hunter has mentioned to me that the band is keeping busy and is hard at work on some new material. This should see a release in the very near future. I'm really excited to see what they are cooking up and how they'll expand on the material from 'Entry: Dispersal'. So go on and give the band a follow and don't sleep on them. SLEEPSCULPTOR is gearing up to takeover.



2018 - Untimening cdEP (stream/buy here)

2019 - Entry: Dispersal cdLP (stream/buy here)


(2019) SLEEPSCULPTOR - "Relinquished" (from 'Entry: Dispersal') official music video

(2019) SLEEPSCULPTOR - "A Deity Conceived in a Petri Dish" (from 'Entry: Dispersal') official music video

(2019) SLEEPSCULPTOR - "Artifice" (from 'Entry: Dispersal') official music video

(2019) SLEEPSCULPTOR - full live set

(2018) SLEEPSCULPTOR - "Ganoderma" (from 'Untimening' EP) official music video


SLEEPSCULPTOR additional links