Thursday, 5 February 2015

ALTAR OF COMPLAINTS

GenresPunk / Rock / Hardcore / Emo / Emo-Violence / Screamo / Ambient / Skramz
Related artistsCease Upon The Capitol, Sightblinder, Karoshi, Dawn, Van Hagar, Nut Collector, Bzrk, Chasm of Teeth, Subjects/Rulers and Dolcim.
CountryNashville, Tennessee USA
Years Active2011-2014
Song: "Twinkle"
Album: "A Sea of Decency With Some Swells of Greatness"
Year: 2012
Label(s): Self Released / Meatcube Label
This post's artist is from the January 2014 Mix. This is track #4.
You can download: the February Mix#12 right here or get the new March 2015 Mix#1 here.
For fans ofA Flower Kollapsed, Orchid, The Flying Worker!, Endamori, ...Who Calls So Loud, GRYSCL, Cease Upon The Capitol, Ampere, Congratulations, Youth Novel, Carrion Spring, Cold Craving, DolcimCrows-An-Wra, DelosCaptain, Your Ship Is Sinking, Moonasi, Via Fondo, State Faults, and Loma Prieta aka PROPER SCREAMO.

ALTAR OF COMPLAINTS were a band I only found out about because one of the members emailed me back in 2013 after I first started the blog. Jesse is his name, and goddammit I love that guy. If you ever have him recommend a band to you, get the fuck on that because he has a near immaculate record with me. Back to his band, I remember seeing dreamo and ALTAR OF COMPLAINTS and almost passing outright on it for such silly, irrelevant reasons. I didn't start doing this blog until 2013, but had I started in 2012 you bet your sweet ass the band's debut/only full length 'A Sea of Decency With Some Swells of Greatness' would have been on the best of list.

"Twinkle" is probably the best song the band recorded. It's just fucking fantastic. The twinkly and spacey beginning eventually condenses to the second half (or final minute, as it's only 1:57) with pounding, rhythmic drums, lightning fast strumming from the strings and some immaculate vocal placement on Roy's part. I really love this pattern and it reminds me of Kaddish's new album, which is obviously saying a lot. Another example of exemplary screaming and timing is found on "Valhalla" which boasts a nice back and forth with dual vocals that remind me of Dolcim and The Setup.

"The Two Parts That Go Together" part "1" and "3" both have elements of Orchid and Dolcim. "Part 1" in particular has some serious Orchid/The Flying Worker/Endamori going on as it rolls relentlessly ahead and makes fantastic use of the subdued, clean guitars and slower (but still massive) transitional pieces. Track four has my favourite song title of the past while, "Rhetorical Quest, Son" and is also one of the strongest songs on the album, relying on the heavier side of stuff without being silly hard and definitely retains a strong sense of European screamo. "Why are You Asking Why?" and "This Song is Friggin' Serious" are two more great tracks on a ridiculously impressive debut, with the latter combining so many phenomenal elements I'm generally left drooling on the floor. "Walt's Waltz" is another song that has too many amazing parts to talk about, so just go listen!

"The Power of Complaint Compels You" was an incomplete (mastered-wise) demo had the band experimenting with some lighter instrumentals and harsher vocals, which is pretty cool. The general feel of the songs is a bit different although they still retain their general sound, which makes distinguishing the differences difficult. This track moves along at a pace that is wedged somewhere between the slow jams and chaotic parts of the previous album. That seems to give the track more urgency, but it also flows so well it's kind of relaxing at the same time.

They broke up before my boys in Congratulations were able to play with them back in mid-2014 and I was pretty upset that the band had called it quits after releasing such amazing new material in 2012 and the 2013/2014 demos. Alas, that's what this blog is for, in the case you haven't heard of this amazing band that existed for way too short a time. Download all their stuff from their bandcamp page or if you're feeling lazy I've compiled them all into one zip file to download right heeya.

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DISCOGRAPHY
Click )==>here<==( to download the band's complete discography in mp3 form.

2012 - A Sea of Decency With Some Swells of Greatness cdLP (stream/donate/download here)
2012 - Friday Night at Frazier Electric live digitalEP (stream/donate/download here)

2014 - The Power of Complaint Compels You digital single (stream/donate/download here)

2015 - Stubborn Father / Seek / Thetan split 12" coming this summer from Meatcube Label

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(2012) ALTAR OF COMPLAINTS - "Twinkle" (from 'A Sea of Decency With Some Swells of Greatness')

(2012) ALTAR OF COMPLAINTS - "Walt's Waltz" (from 'A Sea of Decency With Some Swells of Greatness')

(2012) ALTAR OF COMPLAINTS - "Rhetorical Quest, Son" (from 'A Sea of Decency With Some Swells of Greatness')

(2012) ALTAR OF COMPLAINTS - "The Two Parts That Go Together Part 1" (from 'A Sea of Decency With Some Swells of Greatness')

(2012) ALTAR OF COMPLAINTS - "Valhalla" (from 'A Sea of Decency With Some Swells of Greatness')

(2014) ALTAR OF COMPLAINTS - "The Power of Complaint Compels You" (single)

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ALTAR OF COMPLAINTS out of print mp3 discography download / additional links

(download here)

Bandcamp
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Tuesday, 3 February 2015

***2015 OMSB mp3 Mix #3 (March)***

(((((OPENmind/SATURATEDbrain)))))
March 2015 mp3 MIX #3
 => ***DOWNLOAD HERE*** <=
http://www39.zippyshare.com/v/LoWfRrrc/file.html
...and updates

All I have to say is that the Austin Blood Alliance fest in Austin, Texas was one of the greatest experiences of my life. Expect a big post in February with pictures, videos and personal stories. Enjoy the new mix!

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ZBR STORE

I LOVE YOUR LIFESTYLE 'I Was a Loser in High School' EP
7" (pre-order here)
(listen here)


VIA FONDO 'Efter, Utan Under' LP
12" (order here)
12" + 'Fast' 12" bundle (order here)
(listen here)


SORE EYELIDS 'For Now' EP
12" (order here)
12"+Trachimbrod bundle (order here)
(listen here)


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***Interviews/Live shows coming up for sure:
-Austin Blood Alliance Festival

***Interviews/Live shows posted last month:
-none
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The following page have changes:
-nada
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As always, on or around the 1st of every month, I will be posting a ZIP file with songs for the upcoming month with ALL specifics deleted from the tags, so unless you already know the band, there is NO information regarding each track.

During the following month, I will post reviews for those bands and link the tracks to the review so you can associate the two together. This way you can listen to a new song/band and have little-to-no bias. Below, I have re-posted the February mp3 mix that is used for this month's reviews.
(http://www39.zippyshare.com/v/pxfhggnU/file.html)
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The new OMSB mp3 Mix #3 is linked below and the 13 tracks will be reviewed in March and has some of the following highlights:
*-* an old sing/scream favourite of mine that still gets me
*-* a crazy synth/black-metal/screamo opening track that'll floor you
*-* the best comedy album I've heard since 2010 besides Pete Holmes' first album
*-* two amazing bands that sent me their stuff a few months back and I adore them, one sounds like Aim Of Conrad and the other Ravin
*-* before the awful Simple Plan was started, the members participated in a fantastic skate-punk band

(((((http://www39.zippyshare.com/v/LoWfRrrc/file.html)))))
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Any bands/labels that are interested in having their stuff reviewed, please email zegemabeachrecords@gmail.com: with "Open Mind Saturated Brain" as the subject. Please keep in mind that I don't review everything, just what jives with the blog. I will, however, listen to everything you send me.

Wednesday, 28 January 2015

SORE EYELIDS

BandSORE EYELIDS
GenresPunk / Shoegaze / Rock / Emo / Twinkle / Alternative / Ambient / Dreamo / Post-Rock / Post-Hardcore
Related artistsSuis La Lune and Heart On My Sleeve.
CountrySWEDEN
Years Active2009-present
Song: "Apart"
Album: "For Now"
Year: 2014
Label(s): Zegema Beach Records / Through Love Recs / Truelove Entertainment / Protagonist Records / Tokyo Jupiter Records / Tell Wilhelm Records / Fasaden Records / Serene Records
This post's artist is from the January 2014 Mix. This is track #12.
You can download: the January Mix#12 right here or get the new February 2015 Mix#1 here.
For fans ofColdplay, Hum, (newer) Animal Faces, Suis La Lune, I Was Afraid, Trachimbrod, Ira, Stephen Brodsky, Cave In and Sigur Ros.

I'll start this off truthfully - I simply didn't quite get SORE EYELIDS the first time I heard them. How did I first hear about them? Well some may know I fucking love me some Trachimbrod and 2013 saw the two Swedish powerhouses cultivate a split 12" on Through Love Records. I jammed the shit outta that record and was a little perplexed on how I felt about SORE EYELIDS, on one hand I picked up immediately on the dreamy, melodic shoegaze and surrreal atmosphere created by the band, but on the other hand the eclectic mix of punk/rock/shoegaze/twinkle/post-hardcore didn't have me drooling.

Fast forward to the middle of 2014 when the band/Protagonist Records contacted me at Zegema Beach Records about releasing the new SORE EYELIDS 12"EP. I'll be honest, at first I was hesitant because I didn't feel like I "got" the band. Knowing what a rare opportunity something like this was, I sat, holed up in the corner of my home with the six songs that comprise the lengthy record. It took me about three goes before the vocal and instrumental blend finally took me to the heavens and showed me how to properly appreciate the band and their very unique sound. That sound? I'd say it's Coldplay if they became extremely interesting instrumentally with more somber, monotone vocals.

How did others take in SORE EYELIDS? Many seem to fall in love with them almost immediately, as the swirling and almost trippy guitars crave attention while majestically twirling, bouncing and permeating the listeners' eardrums. Songs such as "Next to Nothing" from the split and the tracks "Leaving", "Apart" and "Waste" from the 'For Now' EP are stellar examples of this, with some of the band's stronger vocals. I personally found the vocal evolution from the first, self-titled 12" to the split and EP to be pretty substantial. The slower tracks such as "Dissolve" (split) and "For Now" (EP) showcase some really awesome singing and engaging instrumental work, generally sounding like a very subdued Suis La Lune.

I guess we can probably make a quantum leap here and say that SORE EYELIDS are an amalgamation of Coldplay on speed and Suis La Lune on downers. Because I've spun the hell out of the 'For Now' concept EP, I want to quickly go into a bit more detail as the first two paragraphs may not have sold you on this band, as I was (for some reason) overly skeptical when I first heard the band as I am more of a screamy guy but can certainly appreciate the lighter stuff when I know what to expect.

'FOR NOW' 12" EP
1) "Remain" is an almost 3-minute long song that takes place in a dreamland of somber, twinkling caress, never quite picking up to full speed as it is just a single guitar and vocals that sound like they've dripped down from rain clouds.

2) "Leaving" jumps directly into the band's signature sound of nearly constant speed with an insane amount of melodic instrumental interplay/layering and those sweet, soaring vocals. Easily one of the best songs on the album. I love the guitar licks on this one that seem not to let up for the entirety of the song and culminate at 3:21 and the result is absolutely glorious.

3) "Apart" is the standout here, but not by much. Like the previous song, it weaves a masterful web of sprawling guitar-work from solos to jarring chords that sound like they are subtly testing the fabric of space time and trying to sneak into the fourth dimension. The singing is really good on this song and reaches some Sigur Ros pitches before the guitar/bass romp at 1:32 that drops into a spectacular time shift and epic space riff that melts me every time at the 1:54-mark and again at 3:50. Stunning.

4) "Waste" is the final fast song on the record and it seems fitting to close out the 3-song stretch of quickly paced material. It's probably the speediest of the bunch - at least at the beginning! The song blasts in with some awesome drums before quickly pulling back to a slower but much more expansive sound. The track then dips back and forth between the ambient and the aggressive like a skier weaving the slalom.

5) "For Now" is similar to the opening track but the vocals and song in general are a bit more inviting, as the air of closure and acceptance is displayed quite prominently. This song includes drums and bass, while the first track does not.

6) "En Plats I Ditt Hjärta" closes the 26-minute EP and does so in epic fashion. Clocking in at nearly 7 minutes this song includes some acoustic guitars mixed in for extra flavour; bass solos, dreamy bits, catchy as hell axes, pounding drums and those patented soaring vocals that teeter on emotional tears. I love the acoustic break (almost like a breakdown) at 2:07 that helps spin the song back around in a 180 and leads it back to the start. Another great thing about this track are the vocals that extend into a new realm for the band, as they reach a near-breaking point as the singer is obviously feeling some parts of the song which, in turn, influence me to do the same. "En Plats I Ditt Hjärta" exits like the fading steps of a lover walking away in the snow, soft and distant but audible nonetheless.

As for the first SORE EYELIDS album, some quick thoughts:
-"I Wish I Could Believin' You" has some very frantic-yet-melodic instrumental work that is both spazzy and dreamy simultaneously
-"Can't Breathe" injects more melody and less chaos with much stronger vocals
-"Over" sounds like Ira
"Heart Like a Wishing Well" has great lyrics "23 wasted years. Might as well waste it all."
-"Du Har Glömt Mej" is a good song, but suffers from pretty weak lyrics that the band has since improved upon
-"Capri 2007" is a really cool song that hints at Hum at the very beginning

Canada has their version of SORE EYELIDS in Animal Faces' newer material which fans of the Swedish boys should certainly take a gander at.

Although the genre itself took me some time to get used to, I can definitely say that SORE EYELIDS is the dreamy, post-hardcore, shoegaze band.

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DISCOGRAPHY

2009 - Sore Eyelids demo cassetteEP

2012 - Sore Eyelids 12"LP (stream here)

2013 - Trachimbrod split 12"EP (stream here)

2014 - For Now 12"EP (stream here) and (buy here)

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(2014) SORE EYELIDS - "Apart" (from 'For Now')

(2014) SORE EYELIDS - "Leaving" (from 'For Now')

(2014) SORE EYELIDS - "Waste" (from 'For Now')

(2013) SORE EYELIDS - "Dissolve" (from 'Trachimbrod' split)

(2013) SORE EYELIDS - "Next to Nothing" (from 'Trachimbrod' split)

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SORE EYELIDS additional links



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